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tyres float
on icy cobble stones,
cafe
culture spotting your
tiny
rattling torso
upon a window
pane and
pausing for air
you strap him
in
and leave.

beyond the
wind and past
the thunder as
your eyes
followed
the crumpled
backbone
i fell to a
heap on the soft
bed of nails
and threatened to
take the knife myself.

life in
slow motion circles
your face
unrecognisable
beneath
the broken
mental pictures
of a world
so full of care
and a mound
scarcely breathing
without milk.
©2005-2009 ~daffodils
:icondaffodils:

Author's Comments

for Sarah

Daily Deviation

Given 2005-12-01

c r a s h e d comes with a warning: repeated reading is likely to induce a sad serene meditation in which sympathy, understanding, and appreciation bloom like ~daffodils. (Suggested by `Jon-Law and Featured by `imperfect)

Comments


love 0 0 joy 0 0 wow 0 0 mad 0 0 sad 0 0 fear 0 0 neutral 0 0
:iconjon-law:
Need a while to let the first reactions ruminate ("oh!" and "aw"); will return for proper creative feedback.

--
If I'm not writing, I'm just sitting here changing oxygen into carbon dioxide. Like a baby. A little shit and piss factory, maybe one day a man. Be a man today, motherfucker.
:icondaffodils:
you spoil me

--
K K
:iconjon-law:
That sounds like a directive. Very well, then.

So, I read this a few times to come up with a "+" and "-" list. It is as follows:

+single word lines in the first stanza
+that the metaphors & images unfold over multiple readings (wind & thunder, slow motion circles, mound)
+simplicity of lines & sentences, reverence
+"threaten to take the knife myself"

-

--
If I'm not writing, I'm just sitting here changing oxygen into carbon dioxide. Like a baby. A little shit and piss factory, maybe one day a man. Be a man today, motherfucker.
:iconannainadotteddress:
"threaten to take the knife myself" caught my eye too.
:icondaffodils:
every single word you write catches my eye.

i'm just sorry i haven't been able to comment properly yet.

--
K K
:iconanarchypress:
I like it, but I think there may be a few too many line breaks...and this comes from a guy who many accuse of using too many line breaks.

~M

--
[link]
:iconebondawn:
Brillinat work. I was especially taken in by the fact that there isn't much punctuation. It draws you away from your life and into a scenario. Especially the second time you read it.

I felt the line about the knife was slightly under you. Talking about knives I've always found to be cliched and dull, that's probably just me though.

I was captivated by the final lines "scarcely breathing
without milk." Really drove into me the fragility of the subject.

A good piece, definitely worthy of a daily deviation. Sorry, if this comment seems harsh, it's me trying to be constructive :)

--
:sun: The blacksmith and the artist, reflected in thier art. They forge thier creativity closer to the heart. :heart:
-- :heart: Closer To The Heart :heart: --
:iconsleepymoogle:
I liked it :) grats on the DD

--
Normally something important and possibly hopefully intelligent goes in this space.... nah...
:icongubby:
I like it, but I don't understand it.


What's café culture?

You say tyres float on icy cobble stones... THEN you strap him in and leave...

Who is "you"? It seems like a baby in "your tiny rattling torso" but then "you strap him in and leave" doesn't sound like a baby. Then "your eyes following the crumpled backbone" is someone other than the person whose "face is unrecognisable beneath broken mental pictures of a world so full of care"..? Right?

I THINK this is about a baby who died in a car accident. Am I right?


...Sorry. It's a great poem and I wanna understand it :( :hug:

--
AndrewGubb.com | Empowerment in the search for truth and meaning
:icondaffodils:
you think correct..BINGO!

I would break the whole thing down for you but then it loses its meaning for me. Just take from it what you will and lose the desire to UNDERSTAND.

Many thanks for your kind words and for reading xxx

--
K K

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November 24, 2005
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